I’m hoping that maybe you can give our listeners your writer’s guide to Atlanta. It feels like all of Hollywood will eventually live in Atlanta. You live in Atlanta now while you’re shooting some stuff. In our Bonus Segment for Premium Members, I want to talk with you about Atlanta, because you’re from Atlanta. We’ll also have some listener questions that I think you’re especially well suited to answer. By that point, we’ll have even more to talk about, but what I want to talk with you about today is the mushy boundaries between TV and movies and the role of writer and this weird transition and convergence that we’re facing. John: That’s when we’ll bring you back on. Michael: I’ll see you the 1,010th episode. Chris McCoy we always bring on every 200 episodes, to celebrate our bicentennial or whatever. Michael: You brought me on for this milestone episode. John: Five hundred and fifty-five episodes. Today on the show, I’m talking with the Emmy Award-winning writer behind Marvel’s Doctor Strange in the Multiverse of Madness and the Emmy Award-winning writer of Marvel’s Loki series, who happened to be the very same person. My name is John August, and this is Episode 555 of Scriptnotes, a podcast about screenwriting and things that are interesting to screenwriters. The original post for this episode can be found here. Scriptnotes Episode 555: Marveling with Michael Waldron, Transcript I’ve asked my assistants to do a beat sheet of a script I’m about to begin rewriting so that I’ll have a roadmap of how things are arranged. Note that beat sheets are also commonly written after there is a draft of a screenplay. That villain character was ultimately played by Kelly Lynch, while Lucy was later cast as the third angel.) (Trivia: You’ll notice there’s a villain character named “Lucy Liu,” which far predates the actual Lucy Liu being involved with the movie. Numbering the beats ended up being a huge help for conference calls. This one shows a pretty close approximation of what I ended up writing for the first draft. It includes a column showing which characters are in any given scene, and which one of us was going to write it.įor the first Charlie’s Angels, I did a series of beat sheets as we debated and formulated. In the Library, you can see a minimal beat sheet that Jordan Mechner and I did for our never-shot pilot Ops. There's a lot to do when you're writing a tv pilot script, but you can handle it.What if Shoe and Dog’s dance number at Marvin Gardens came before Race Car discovered the Community Chest? We could get rid of these three beats, including Top Hat and Thimble’s knife fight.ĭid you know Inception wasn’t based on anything? You need something to happen, the characters to pivot, that pivot causes a reaction, and then they have to deal with it. Sure, that might seem crazy, but every successful tv pilot script follows that format. So what will make your pilot scripts memorable? Not only can you use it to get an agent or manager, but you can also use it as a sample when staffing season comes around. TV studios buy hundreds of shows a year, but only a handful make it to air, and even less make it past the first season.Ī pilot script is a valuable tool. You have to be an incredibly skilled writer to craft a well-written pilot. But, how can you manage those massive expectations while still putting forth something with great characters and emotional hooks? The best pilot scripts set incredible expectations for what is to come from a series.
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The idea was to rewrite the LilyPond input before LilyPond interpreted it, so, for example, slurs and phrases were obeyed, and trills were fully expanded. So I (Peter Chubb) wrote some scheme code that interpreted some of the more commonly used marks in a musical score. polyphony, a MIDI playback of notes, chord markings, lyrics and import/export filters to formats like MIDI, MusicXML and LilyPond free software OSX. Unfortunately, LilyPond's MIDI output is not very good: it obeys the notes and any explicit metronome and dynamic markings, but that's about it. However, within the Perl environment, the module names Humdrum and Lilypond are used. When invoked with quantizing (‘ -s ’ and ‘ -d ’ options) midi2ly tries to compensate for these timing errors, but is not very good at this. Other Humdrum tools, such as those for entering MIDI information. However, human players are not rhythmically exact enough to make a MIDI to LY conversion trivial. LilyPond is primarily a means to produce beautifully typeset music scores but it can also produce MIDI (musical instrument digital interface) output for 'proofhearing' the scores. LilyPond is primarily a means to produce beautifully typeset music scores but it can also produce MIDI (musical instrument digital interface) output for. It is possible to record a MIDI file using a digital keyboard, and then convert it to ‘. Percy Jackson and the Olympians was published in 2005 and has since remained to charm and delight its readers. Riordan shared his writing with middle-school-aged children who were instrumental in choosing the series’ name, as well as determining the mechanics behind the pen-sword that the main protagonist wields. Why is Percy Jackson & the Olympians: The Lightning Thief rated PG The MPAA rated Percy Jackson & the Olympians: The Lightning Thief PG for. From there, Riordan transformed his oral story into a written one, thus creating Percy Jackson and the Olympians pentalogy. It was his son Haley who first suggested that his father expound on common Greek myths by incorporating his own imagination into the time-worn tales. Inspiration for Percy Jackson first struck author Rick Riordan after his children had requested that he base his storytelling on Greek myths. One particular franchise with an unrelenting loyal fanbase is Percy Jackson and the Olympians. no bathroom scene annabeth and percy are on different teams in capture the flag no claiming scene of percy ares is not mentioned at all the quest was. These fandoms dominated the internet and social media, celebrating their love for certain series with hundreds of thousands across the globe. Popular book franchises were rewarded with fandoms that went to extreme lengths to support the brand to its utmost extent. The Young Adult novel genre had undergone a surge in popularity during the turn of the century and has prospered since. The Lightning Thief (Percy Jackson and the Olympians, 1) The Lightning Thief discussion 1.Clarisse wasnt in the movie 2.Ares wasnt in the movie 3.They. Teams like 101st did much of the leg work in developing the early meta game, and transitioning the community from casual Quake style play to more strategic and tactical based esports friendly play styles. Gunfights were very dynamic, with the victor often being the player best able to maintain their aim a midst the chaos of jumping, sprinting, prone-diving, and bandaging. The weapons were incredibly accurate with very little recoil, and player movement was much faster. The game was played in an 8v8 player format on maps much larger than those played after DoD’s retail release. 1.3b DoD was very different from the game DoD is today. The first dominant American team emerged in 101st, who developed a strong rivalry with SAC| before they ultimately gave up the game, leaving 101st to dominate the rest of the North American scene in the early days of DoD. The first version of DoD to reach widespread popularity, and the rise of the Stronger Than All league, which saw it’s first several seasons dominated by the Quake clan, Sorry Ass Clan. This promotes very exciting and dynamic gameplay, where the strategies and play styles can change quickly in response to the team losing or gaining control of a particular area of the map. In contrast to more popular competitive esports titles like Counter-Strike, DoD players spawn continuously on a timer, as opposed to a round based format. At the conclusion of both halves, the team with the most total points combined, wins. Points are awarded to teams for capturing and holding checkpoints throughout the map, and bonus points for capturing all of the flags on the map (“capping-out”), which then resets all flags and returns all of the players to their respective spawns. The standard league format is 6v6 with 20 minutes halves, with teams switching between axis and allies at the half-way point. While Day of Defeat:Source was released in 2004, DoD 1.3 remained much more popular as a competitive esport, where it is still played actively in leagues in 2014. While Day of Defeat saw most of it’s growth in player-base with casual players, the competitive esports community has played DoD in leagues continuously since 2001, largely without any support from outside organizations and sponsors. Second only to Counter-Strike, Day of Defeat was one of the most popular Half-Life modifications in the early 2000’s. Day of Defeat (DoD) is a team-based multiplayer World War II first-person shooter video game of the European Theatre of World War II. Probably it’s just a bad time for them, but nowadays we have a bit more bugs than optimal. I only have two not-that-major concerns with it: In short, Melodics delivers all that I expected. And I really feel how useful it is: playing stuff on the Launchpad is much easier, and I even feel the improvement in how I sense rhythm! This is exactly the kind of practicing where you even feel improving on a daily level. If you subscribe, you even get some nice perks, like a -30% voucher for AIAIAI headphones, Berklee Online’s free 4-week Ableton Live course and so on.Īll this was more than enough for me to get pulled in - now I’m around 80 hours.The default layout puts the pads to bottom left, for me, it was more comfortable in the middle you can change the pad layout, or whether to show success animations if it’s too distracting for you. Where you really need to, you can customize.It shows you how long your streak is, how much time you put into it, there is a leveling system and so on. when you get to the recommended 5 mins / day, or when you do a perfect on a lesson) - I lol’d on quite a few success screens, nice lines there. You get positive feedback all the time (e.g. New lessons are being published continuously if the already available few hundreds wouldn’t be enough for you □.I’m working on this right now, hopefully finishing it soon. There’s a decent course system to build your skills from scratch.This is enough to make it sure that you won’t get bored during practice. The music is pretty modern and it’s a nice mixture of genres, ranging from 8-bit wonders through ambient, hip-hop, house, trap - whatever you’re looking for.There are so many reasons why I would recommend Melodics to mostly anyone: (By the way, most likely almost any device could be used which can fire MIDI signals.) That’s really all we need it recognized my Launchpad immediately, without any issues. What’s different, though, is that it properly supports music hardware like controllers, so eg. This is actually close to a rhythm-based game, so if you ever played anything like that, you will feel right at home. Melodics is a pretty nicely built piece of software for teaching playing the keys, pads and drums. Now, after playing daily for around a month, I can already feel how useful it is. (Even after finding such nice software as Launchpad95, which backports a few functionality from Ableton Push.) Of course, I did not manage to make music as much as I wanted to, so this is not a surprise at all, but I still feel a bit guilty about this □Įven after all of this, I had to run into Melodics multiple times to realize that this might be a solution to both issues. Even though Launchpad is an excellent controller and it works splendidly with Ableton Live, it ended up somehow underutilized. Back then when I was in New York, I bought a Novation Launchpad MK2, mostly to control Live. |
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